Khavn De La Cruz
DirectorAchinette Villamor
ProducerPhilippines
CountryLogline
Faced with their slum’s demolition, a resourceful 10-year-old gay boy must choose between loyalty to his chaotic, hustler family and risking everything for a more dignified life.
Short Synopsis
Ten-year-old Rony possesses two gifts: a genius for removing ingrown nails and a keen eye for framing viral content. He grows up in a family of hustlers in JOLLYWOOD, a Manila slum where survival has become a grotesque carnival. His grandmother films TikTok dances in a bikini. His mother rents out chicken-coop rooms as a slumlord. His brother dreams of fortune through foreclosures. And everyone in the neighborhood—jobless, restless, desperate—is a performer, livestreaming their poverty for likes and dole-out programs.
But change is coming. A Chinese landowner has brought in a demolition crew to wipe out the community. Every eviction is now a viral spectacle, and the residents film even their own resistance. For Rony, school offers a glimmer of hope—he dreams of becoming a nurse, of building a life with dignity. His family, however, sees him only as their “gay breadwinner in training,” destined for the stage or the screen, not the classroom.
Trapped between love and exploitation, humiliation and hope, Rony must make a choice: stay loyal to his family’s hustles, or break away to chase a future beyond JOLLYWOOD.
Khavn De La Cruz
KHAVN is a multi-awarded Filipino filmmaker, writer, composer, and pianist, internationally recognized as the father of Philippine digital filmmaking. Since 1994, he has directed over 50 features and 300 short films—works that have screened at major festivals including Berlinale, Venice, Rotterdam, Tokyo, and CPH:DOX, with retrospectives at IFFR, Pesaro, Oberhausen, and beyond. His acclaimed films include Mondomanila, Balangiga: Howling Wilderness (Best Picture, FAMAS & Urian Awards), Ruined Heart (lensed by Christopher Doyle), and Orphea (co-directed with Alexander Kluge). A multiple Palanca Award-winning author and prolific composer with over 40 albums, Khavn’s radical, genre-defying work spans cinema, literature, and music. He has served on juries at Berlinale, Clermont-Ferrand, Jeonju, Jihlava, and CPH:DOX, and exhibited at MoMA, Tate Modern, MAXXI, Guggenheim, and Museo Reina Sofia. Khavn’s films are known for their punk energy, poetic experimentation, and fierce engagement with Filipino realities—embracing the margins, challenging conventions, and celebrating the dynamism of life against all odds78. Described as “the enfant terrible of Philippine cinema” (Pesaro), “the Che Guevara of the Digital Revolution” (La Palma), and “the world’s most prolific major filmmaker” (Variety), Khavn continues to push the boundaries of global independent cinema.
Achinette Villamor
ACHINETTE VILLAMOR is a Filipino producer, writer, and managing director of Kamias Overground, a Manila-based film production company, publishing house, and music label. She is best known for producing internationally acclaimed films such as Balangiga: Howling Wilderness, Mondomanila, Ruined Heart, Alipato, and National Anarchist: Lino Brocka. Her projects have screened at major festivals including Berlinale, Rotterdam, Tokyo, and CPH:DOX, and she has presented works at NAFF-BiFan, Cinemart, Riviera Lab, and Paris Project. Villamor’s projects include co-productions with Germany’s Rapid Eye Movies and music album releases with talents like Khavn, Lav Diaz, and Roxlee. Her portfolio extends across fiction, documentary, experimental film, music, and literature, with credits in works such as Bamboo Dogs and Nitrate: To the Ghosts of the 75 Lost Philippine Silent Films (1912-1933) and the anthology Under The Storm: An Anthology Of Contemporary Philippine Poetry. Villamor is a FAMAS and Gawad Urian awardee, an Asia Pacific Screen Awards nominee, an alumna of Berlinale Talents, and the mother of five children.